![]() ![]() It's a subjective interpretation rather than a calibrated adjustment. With video color grading tools, it's more common to provide separate sets of calibrated adjustment controls for highlight, midrange, and shadow regions, as well as a master set of controls for the entire histogram range. This partially compensates for the absence of a global white balance adjustment, which cannot properly be performed in Rec 709 color space. What's notably missing is support for Adobe Premiere Pro and After Effects, which I'd imagine is not an oversight, but due to more substantial issues? Balazar's log color space conversion fills in that gap, allowing you to alter exposure, white balance, and contrast within the host application. USING A LUTS FOR COLOR GRADING DAVINCI RESOLVE PRO Thanks, What camera do you use now? It'd be nice to see some samples posted as people start working with in my experience RGB sliders are the best way to do white balance adjustment - better than color wheels or a Kelvin slider. I wish all the apps would use RGB sliders. With three sliders you have three axes on which to make the adjustment: the red-cyan axis, the green-magenta axis, and the blue-yellow axis. You only need two of those, but having all three makes it easier. If you are used to Kelvin sliders, treat the blue channel like Kelvin and the green slider like tint. Vitaliy, I don't want to reinvent the wheel when we already have good-enough plugins for loading LUTs. It's not easy to make a plugin that performs well. It needs to be multithreaded or use GPU acceleration. And I'm not focused purely on basic adjustments. There's a lot of advanced correction that you can do in the log space with video apps' native tools, like masked corrections or graduated filters. USING A LUTS FOR COLOR GRADING DAVINCI RESOLVE PRO.USING A LUTS FOR COLOR GRADING DAVINCI RESOLVE HOW TO.
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